It's Four In The Morning Banjo And Mandolin Sheet Music
Instruments Used in "It's Four in the Morning""It's Four in the Morning", recorded by Faron Young in 1971, is a classic country song with a smooth, melancholic feel. Written by Jerry Chesnut, it became one of Young's biggest hits and features a blend of traditional country instrumentation with orchestral touches.
Main Instruments Used:
Musical Style & Impact:
Main Instruments Used:
- Acoustic Guitar –
- Provides a gentle rhythmic strumming throughout the song.
- Helps establish the melancholic, storytelling tone.
- Electric Guitar (with slight reverb/twang) –
- Adds soft, melodic fills between vocal lines.
- Enhances the classic country sound.
- Pedal Steel Guitar –
- Creates weepy, sliding notes, adding to the emotional depth of the song.
- A signature element in traditional country ballads.
- Piano –
- Plays soft chord progressions, reinforcing the melancholic mood.
- Adds a smooth, honky-tonk feel in certain sections.
- Bass Guitar –
- Provides a steady, warm low-end foundation.
- Helps keep the slow, swaying rhythm of the song.
- Drums (Brush Drumming & Light Snare Work) –
- Features soft brush drumming to maintain a gentle, flowing rhythm.
- The snare drum is played subtly, avoiding a heavy beat to keep the song’s late-night, reflective atmosphere.
- Orchestral Strings (Violins, Violas, Cellos - in some versions) –
- Some versions feature light string arrangements, adding a smooth, cinematic touch.
- Helps soften the song’s emotional impact.
Musical Style & Impact:
- The slow, waltz-like tempo and smooth instrumentation make it a perfect "late-night heartbreak" country ballad.
- The pedal steel guitar and brush drumming emphasize the classic Nashville sound.
- The piano and light orchestral elements add a touch of sophistication, making it accessible to both traditional country and pop audiences.
The first version of the sheet music is in the key of D Major and the other one is in C. The song was written by Jerry Chesnut and recorded by Faron Young. It was later recorded by Welsh singer Tom Jones.